Makar Sankranti is the festival marking the Sun’s move from Dhanu rashi into Makar rashi (Capricorn) — and, by popular tradition, the start of Uttarayan, the Sun’s northward turn. The deity is Surya (the Sun). Because it is one of India’s few solar festivals, it falls on almost the same day every year — usually 14 January (occasionally the 15th). In Maharashtra it is known for tilgul (“Tilgul ghya, god god bola”), gulachi poli, haldi-kunku and vaan, sugad puja, and boranhan.
Note: this is a solar festival — its date is set by the Sun’s entry into Makar, not by a lunar tithi. So “this year’s date” and the exact time of the Sun’s entry come from that year’s panchang — see the 14 January 2026 day page.
Sankranti is the Sun’s transition from one rashi (zodiac sign) into the next; Makar is the Makar rashi (Capricorn). So the name literally reads “the Sun’s transition into Makar” — and that is exactly what this day marks.
Uttar (north) + ayan (movement) = the Sun’s northward turn. In Hindu tradition Uttarayan is considered the more auspicious half of the year, seen as favourable for new and spiritual undertakings.
From around this time the depth of winter begins to ease and daylight slowly lengthens. That is why til (sesame) and gul (jaggery) — warming, oil-rich foods — carry special importance in this festival.
A subtle point: astronomical Uttarayan (the winter solstice) falls around 21–22 December, but in the festival’s popular tradition Sankranti itself is treated as the start of Uttarayan. Over the centuries these two dates have drifted apart (see “Why the date is fixed” below), so it is best to note both rather than fix on a single claim.
Because Makar Sankranti is tied to the Sun’s entry into Makar, its Gregorian date lands on 14 January in most years (15 January in leap years) — unlike most Hindu festivals, which follow a lunar tithi and shift date every year.
However, because of the Earth’s precession (roughly 1° every 72 years), the festival and the astronomical winter solstice are slowly separating. The last time the two coincided on the same day was long ago — around 291 CE. So the precise answer to “why is Sankranti always on 14 January?” is: it is solar, and its date creeps forward only very slowly, on the scale of centuries.
There is no single fixed scriptural story behind Sankranti; several independent legends are woven around it. They are given below faithful to their substance — no one version should be treated as the final word.
In folk and panchang tradition, Sankranti is imagined as a goddess. In some versions she slays a demon named Sankarasur and frees people from his torment; and on the next day — Kinkrant / Karidin — she slays a demon named Kinkarasur. The heart of the story is the triumph of good over evil. This is chiefly a folk and panchang-tradition legend; its exact scriptural (Puranic) source is not established.
The lord of Makar rashi is Shani (Saturn). By one legend, on Makar Sankranti Surya visits the home of his son, Shani. Though father and son are said to share a strained relationship, Surya comes to visit and Shani welcomes him with an offering of black til (sesame). Some versions trace the festival’s emphasis on til — and, in Maharashtra, the link with the colour black — to this story.
This story from the Mahabharata underlines why Uttarayan is held auspicious. Bhishma had the boon of choosing the moment of his own death; lying on a bed of arrows on the Kurukshetra battlefield, he did not give up his body until Uttarayan arrived — because it is believed that leaving the body during Uttarayan grants liberation from the cycle of birth and death (a belief referenced in the Bhagavad Gita). The original account is in the Mahabharata’s Anushasan Parva.
Makar Sankranti is a whole-family and community festival — everyone takes part. In Maharashtra the suvasini (married women) lead the haldi-kunku and vaan gatherings; children are given the boranhan shower; and a newly married woman’s first Sankranti is treated as special (the exact customs vary by household and region).
Because it is a solar festival, Makar Sankranti has no single fixed formal puja sequence like a vrat. The main acts that genuinely apply to this parva are:
Makar Sankranti is not a fasting festival — on the contrary, it is a day for deliberately eating and sharing tilgul and gulachi poli. Til and gul are traditionally regarded as warming and beneficial in winter (any dietary choice is, of course, per one’s own health).
Note: the Shattila Ekadashi that falls on the same day is a separate Vishnu-fast ekadashi — that is a distinct topic, not a Sankranti fast.
There is no distinct “Sankranti aarti” or stotra tradition for this solar festival. Sun-worshippers may recite the Gayatri mantra, Surya Namaskar, or the Aditya Hridaya stotra on this day, but these belong to Sun worship in general, not to Sankranti alone. A simple daily jap-mantra is Om Suryaya Namah.
These Maharashtra customs are what give Sankranti its real colour:
Each year the panchang describes a rup (form) for Sankranti — her vahan (mount), upavahan, garment, weapon, direction, name, and so on. From this, that year’s “Sankranti phal” (a general forecast) is drawn. Important: this rup and phal change every year — they are specific to that year and astrological in nature, not permanent. That is why they are not baked into this evergreen page; the exact rup and phal for a given year should be read on that day’s panchang.