Bhimashankar is a Shiv temple in Khed taluka of Pune district, set in the Sahyadri (Western Ghats) — one of the twelve Jyotirlingas (traditionally the sixth). It stands at about 934 m in dense forest. The sacred Bhima river rises here, and downstream it becomes the “Chandrabhaga” at Pandharpur. The temple lies inside the Bhimashankar Wildlife Sanctuary — home of the Shekru (Indian giant squirrel), Maharashtra's state animal. On Shravan Somvar and Mahashivratri, huge crowds of devotees pour in. This is one of the five Shiv Jyotirlingas in Maharashtra.
Bhimashankar is one of the twelve Jyotirlingas — a Jyotirlinga being a swayambhu (self-manifested) form of Shiv's light. It is one of the five Jyotirlingas that devotees in Maharashtra revere and visit most; the others are Trimbakeshwar, Grishneshwar, Aundha Nagnath and Parli Vaijnath.
Note: in the shastrokta Dvadasha-Jyotirlinga list, the count firmly placed in Maharashtra is three; the identifications of Aundha Nagnath as Nageshwar and Parli Vaijnath as Vaidyanath are disputed. In popular devotion, however, all five are worshipped as Maharashtra's Jyotirlingas.
Bhimashankar is not only a Shiv kshetra (holy seat) but also the source of the Bhima (Bhimarathi) river. This same Bhima flows on to the feet of Vitthal at Pandharpur under the name “Chandrabhaga,” and finally joins the Krishna river. That makes Bhimashankar a rare place linking two traditions — the Shaiva (devotees of Shiv) and the Varkari (devotees of Vitthal). By legend, after the battle with the demon Bhima, the river is believed to have formed from Shiv's perspiration (gharma).
Because a dense evergreen Sahyadri forest, a wildlife sanctuary and a Jyotirlinga all meet in one place, alongside devotees this spot also draws nature lovers and trekkers in large numbers.
The sanctum of the temple dates to the 13th century, carved in black stone. Later, in the 18th century, Nana Phadnavis is said to have improved or built the sabhamandap (assembly hall) and the shikhara, and to have built a well in the precinct. The temple's architecture is Nagara (north Indian) style, with similarities to the Hemadpanti style; the pillars and door-frames carry carvings of divine and human figures.
Chimaji Appa, brother of Bajirao I, offered here one of the Portuguese bells brought back after he defeated the Portuguese at Vasai (Bassein) fort (1739). The bell bears 1729 as its casting year and Christian imagery (a cross / Mary–Jesus). (“The bell was brought in 1729” is a common mix-up — 1729 is only the year it was cast; it was actually brought here after the Vasai victory, that is, after 1739.)
Bhimashankar's original story comes from the “Koti Rudra Samhita” in the Shiva Purana — Chapter 20 (“the greatness of the Bhimeshvara Jyotirlinga”) and Chapter 21 (“the origin of the Bhimeshvara Jyotirlinga”). It is an ancient text, and the story is retold in many secondary sources too. In brief —
There was a mighty demon named Bhima, believed to be the son of Kumbhakarna (his mother was Karkati). After Rama had killed Kumbhakarna, the grown Bhima resolved to take revenge on Rama. Through severe penance to Brahma he won a boon of enormous power, and drunk on that power he began to torment gods and humans alike.
Bhima then imprisoned a devout Shiv-bhakta king and tried to force him to give up his worship of Shiv. The king firmly refused — “I shall never forsake Shiv.” Enraged, Bhima raised his sword against the very Shivling the king was worshipping. At that instant Shiv appeared as Bhimeshvara — “I am Bhimeshvara; I have revealed myself to protect my devotee” — and with a single Hum sound destroyed Bhima and his army. At the request of the gods and sages, Shiv stayed on there forever as the Bhimashankar Jyotirlinga; and from the perspiration of that battle, the Bhima river is believed to have formed.
(In some versions the name of this Shiv-bhakta king is “Kamarupeshwar” — the king of the Kamarupa land; in some modern retellings the name is given as “Sudakshina.” Likewise, some versions connect the story to the Tripurasura episode — in that battle Kamalaja Devi (a form of Parvati) aids Shiv; her temple stands about 500 m from the main temple. The heart of the story — Shiv appearing to protect his devotee — is the same everywhere.)
Note — a place dispute: because the Koti Rudra Samhita mentions “Kamarupa / Dakini,” a claim was made (in 2023) that the sixth Jyotirlinga is in Assam (Kamarupa). However, this Bhimashankar in the Pune-Sahyadri is the widely accepted sixth Jyotirlinga.
The tithi is the real anchor of the date; the dates below come from each year's panchang (this site's 2026 panchang data) and shift automatically the next year. Each row links to that day's page.
| Festival / yatra | Tithi | This year's date (2026) | Nakshatra | Type / more |
|---|---|---|---|---|
| Mahashivratri | Magh Krishna Trayodashi | 15 Feb 2026 | Uttarashadha | The Jyotirlinga's biggest day — see the full Mahashivratri page. The trust holds a palkhi/mahaarti. |
| First Shravan Somvar | Shravan Shukla Panchami | 17 Aug 2026 | Chitra | Peak crowds of all Shravan — see the full Shravan Somvar page. Nagpanchami falls the same day. |
| Second Shravan Somvar | Shravan Shukla Dwadashi | 24 Aug 2026 | Purvashadha | The second Monday of Shravan. |
| Third Shravan Somvar | Shravan Krishna Tritiya | 31 Aug 2026 | Revati | The third Monday. Sankashti Chaturthi falls the same day. |
| Fourth (last) Shravan Somvar | Shravan Krishna Ekadashi | 7 Sep 2026 | Punarvasu | The last Monday of Shravan. |
| Vijayadashami / Dasara | Ashwin Shukla Dashami | 20 Oct 2026 | Shravan | A general festival; the trust holds a palkhi/mahaarti. |
| Tripurari Pournima | Kartik Shukla Pournima | 24 Nov 2026 | Krittika | Deepotsav — see the full Tripurari Pournima page. The trust holds a palkhi/mahaarti. |
According to the official Shree Kshetra Bhimashankar Trust schedule page, the temple opens at about 5.00 AM and closes at about 9.30 PM. The main blocks through the day are given roughly as: 5.00–5.30 AM worship · 5.30 AM–12.00 PM darshan and abhishekam · 12.00–12.20 PM naivedya · 12.20–2.45 PM darshan and abhishekam · 2.45–3.20 PM worship · 3.20–7.30 PM dev-darshan · 7.30–8.00 PM worship · 8.00–9.30 PM dev-darshan. All times change on festival and special days.
A caution about the aarti names. The traditional names “kakad / madhyan / shringar / shej aarti” are not used on the Trust's own schedule page; those names and their exact times come from third-party sites. So they are not given here as official.
Online darshan pass. By a Trust notice, there appears to be an arrangement that “from 15 June, only online pass holders get darshan” (via an online pass system). This policy and date can change from year to year, so check the current rule with the official Trust before you travel.
On festival days (Shravan / Mahashivratri / Tripurari Pournima) the trust holds a mahapuja, mahaarti and palkhi.
Before you travel, check the darshan and aarti timings, the pass rule and the queue arrangement with the temple committee (mandir samiti).
(This is religious guidance — do not take it as a universal rule. If you wish to perform the rituals, do so per your own local and family tradition, under the guidance of authorised priests.)
(Check the exact distances, access and timings for nearby places with locals / the forest department.)
Shiv jap-mantra: Om Namah Shivaya. This is Shiv's five-syllable (panchakshari) root mantra — “salutations to Shiv.” At a Shiv kshetra like Bhimashankar, this is the mantra people repeat in jap.
Shankar aarti — “Lavthavati Vikrala” (by Samarth Ramdas). It is traditionally sung after the puja in Shiv temples. Its meaning: Shiv is fearsome yet innocent, camphor-fair (karpur-gaura), radiant beside Parvati, and the one who drank the halahal poison of the churning of the ocean to become Neelkanth (the blue-throated one).